No, I'm a professional videographer and filmmaker. Content creators do valuable, fast-turnaround work, usually shot on a phone for daily posting. What I do is different: cinema camera and drone, fully graded and edited by me, built to make your brand look and feel exactly as good as it deserves to. If you want content that fills a feed, a content creator is the right call. If you want a film people remember and sticks for a longer period of time, that's what I'm here for.

Yes. Cinematic social reels, shot on the same cinema camera and edited with the same story-led approach as my longer brand films. Not raw, native-style phone content, but a polished, branded piece built to stop the scroll and reflect your brand at its best.

I know how much a quick turnaround matters when you're planning a campaign or launch, so I keep it tight without cutting corners. Average timeline is usually 3-5 working days. You'll get a clear timeline before we start, and I always keep you updated if anything shifts along the way. I am able to expedite the edit for a rush fee if a quicker turnaround is needed.

Absolutely! I'm based in Cornwall but work across the UK and worldwide. Some of my favourite projects have taken me to Bali and Barcelona, so distance has never been a limit on the work I take on.

You'll get a fully finished, story-led film. Colour-graded, sound-designed, and edited to reflect your brand. Depending on your project and scope, that might include a longer hero cut alongside a few shorter versions for social. I’m flexible to customise the deliverables to what you require and we'll agree exactly what you need before filming, so there are no surprises at delivery.

Yes. Photography sits alongside everything I film. Many projects combine both, giving you a consistent set of visuals across your website, social channels, and campaigns from a single shoot.

It starts with your enquiry, followed by a discovery call where we talk through your project, your brand, and what you want the film to do. From there: shoot day, edit, and delivery — with me handling every stage personally, so nothing gets lost in translation along the way.

Cornwall keeps me on my toes, so I always build flexibility into a shoot day. If the weather turns, we adapt or re-schedule. It's rarely a problem, just part of working somewhere this beautiful and this unpredictable.

For bigger projects, yes — I bring in a second shooter when a project genuinely calls for it. But it's never a full production crew. You're still working directly with me, and the film still gets edited by me alone, start to finish.

Usage rights are agreed upfront as part of your proposal, so you always know exactly what you can do with the final film — across your website, social channels, and campaigns — before we ever start filming.

Usually, yes — and this catches a lot of people off guard, so it's worth explaining. Organic use (your website, your own social channels, general marketing) is one thing, but running a film as a paid ad is a different kind of usage, and it's standard across the industry to license that separately. It's not an upsell or a hidden cost, it reflects the added value and reach paid advertising gives the work, in the same way stock footage or music licensing works differently for ads than for personal use. I'll always be upfront about this before you commit to a project, so there are no surprises if a film performs well and you want to put budget behind it.